Thursday, September 30, 2010
Reign Supreme - Testing the Limits of Infinite 12"
Another Sound & Fury '09 exclusive, this is one cool record to have, if even just to look at. Not saying that's what I do, but keep reading and you might agree. Pink vinyl out of 100 only available with this special cover, which has both front and back hand screened images. The cover says it was for the tour they were on at the time, but when I clarified at the merch booth, they said S&F was the only place they were selling it. So there you have it.
I saw this sell on eBay a week or two after the event for $100+. It still always manages to go for high prices any time I see another one on there.
Specifics:
Reign Supreme - Testing The Limits of Infinite (pink) (Sound & Fury '09 cover) 78/100
Wednesday, September 29, 2010
Man Overboard - Before We Met: A Collection Of Old Songs 12"
Another band I checked out before S&F '10. Their entire discography is awesome in my opinion. Here is their LP that contains a collection of re-recorded old songs and some (at the time of release) new songs. After I got this, I realized that a lot of the pop-punk LP's I get have a habit of being on blue vinyl. A sensible theme, blue is a soft color. I'm sure you may come to see how this blue thing is true as I post more.
Man Overboard - Before We Met: A Collection Of Old Songs (clear blue) /270
Creatures/Downpresser split 7" (Creatures Record Release Cover)
I acquired this on eBay from the old drummer of Creatures for $10.50 plus shipping. It was one that I had been after for a while, and one of the first times I ever paid a hiked price for a special version of a record. I'd end up spending much more money for other collectibles later on.
Specifics:
Creatures/Downpresser - Split (Creatures Record Release Cover) 15/25
Internal Affairs - Deadly Visions 7"
This was the first hardcore record I bought at Hot Topic. A classic. I bought this before I was really familiar with record labels or many hc bands, I just thought it was a fluke that they happened to have it there, and bought it because I had heard them before and liked what I heard. Now, I fucking love this 7".
Get The Most - Common Goals 7"
This was the first modern youth crew album (ep) that I heard when I was first getting into hardcore. This one re-shaped my view on hardcore as a whole, and displayed to me the simplicity it can have, and showed me how you can "mosh parts" without a heavy sound or hard attitude. I fucking love it, and don't see myself getting sick of it.
I picked this up along with a shitload of other shit on the stacked as fuck Get The Most, On, Gone But Not Forgotten, Keep It Clear, Circles west coast tour in around April/May of 2009. It was my first time driving all the way to Riverside to see a show at the Pharoh's Den, and it was worth it as I had been jizzing all over the Mp3's of the Common Goals EP for about a year at that point, and I had not yet seen them. They had many different colors of this at their table including blue, red, and green. I asked for the blue one, and got handed this one. I noticed when I took my load to the car, but didn't wanna bitch about one color being wrong. I wasn't planning on fully collecting this one. Plus, I think this is from the 1st press, while the colored ones were the 2nd press. Doesn't make much different to me but I think it does to some people...
Specifics:
Get The Most - Common Goals (black) /700
The First Step - Connection 7"
I bought this one night, along with a few others, at Amoeba Records in Hollywood. Not as into it as I am into their LP What We Know. I don't have a copy of that, but I want it. This one is alright.
Specifics:
The First Step - Connection EP (blue) /1270
Fire & Ice - Grim 7"
I bought this at Fire & Ice's first California show, first West Coast show. My band also played this show. Cool story, bro! Anyways, I felt the need to buy this, as it hadn't even leaked at the time, and I really wanted to hear it ASAP. Of course, they were selling the most widely available version of the record. No special cover or stamp marked specially for the occasion. I kept walking by the Triple-B table at S&F and seeing this on color vinyl and being annoyed that I was stuck with black. Lamez.
*p.s. - sorry, I won't use words like "lamez" anymore.
Specifics:
Fire & Ice - Grim (black) /600
Bad Seed - s/t 7" (Sound & Fury 2009 Cover)
I am so glad I saved my high school graduation money to spend on shit at Sound & Fury 2009. This is one of the many exclusive S&F '09 covers the bands made and sold only at the event, on tour, and then in their webstore if it didn't sell out by then. I think this one might've sold out the day they were selling them. There were only 60.
Looking back, this ended up being one of the best 7 inches of that year. They were unknown to me at the time, I just figured I might as well buy it since I was buying the entire 3x7" S&F cover set of the new split War Hungry was doing with them, check out more than one song you know? Their set blew me away before I went back home and listened to it anyways.
Specifics:
Bad Seed - s/t (seafoam green) (Sound & Fury '09 cover 33/60) /500
Internal Affairs - Evil Egyptians 7"
I bought this at the final Internal Affairs show. This version of their last 7" of recorded material is the "farewell tour press". I also bought the "final show press" which was a different color, but I would end up trading that away in a crucial deal. I liked this color the best out of the entire pressing anyways.
Specifics:
Internal Affairs - Evil Egyptians (blue/orange split w/ black splatter) (farewell tour press) /204
Purple Mercy - s/t 12"
Bought this together with the STZ 2xLP when they were both at huge sale prices in the Twelve Gauge Store.
Pretty bummed I never got around to buying the purple colored vinyl of this. I wasn't a fan when it was first released. I like it now, but the overall package feels incomplete by the plain record.
And somewhat related, at this moment I don't happen to have any Life Long Tragedy records. This makes me sad. I would say both Runaways and Destined For Anything are on my current "itching-to-aquire" list.
Specifics:
Purple Mercy - s/t (black) /577
Tigers Jaw - s/t 12"
Before Sound & Fury 2010 actually took place, I saw that there were a lot of bands playing that I had heard about a lot but hadn't listened to yet. I didn't want to miss out on actually understanding the bands I was about to see before I saw them, so I downloaded most things that I was interested in checking out. Especially when I can get everything I need so easily from one or two music blogs, with this day and age. But don't fret, as proven in this particular blog, I do my best to support the music scene as a whole. Tigers Jaw's Self-Titled being one of those. The first time I listened to it, I felt mostly bored but with a slight of intrigue, as some of these songs sounded really weird and different. And by the end, once you've actually gotten the hang of the style they play, because they don't sound like many bands I personally listen to, they could easily be considered catchy as fuck. I listened to it again and again, eventually my girlfriend heard it and got sucked in by its strange awesome-ness.
So I definitely made sure to pick up this fresh re-issue from Run For Cover Records in person from their booth at S&F, as I had horrible past experiences with their mail order, along with everyone else on the internet.
What I, and I'm sure everyone else as well, love most about this besides the music itself, is the cover. How delicious does that pizza look? And I love the fact that the vinyl is the color of burnt cheese. I can almost smell it.
Specifics:
Tigers Jaw - s/t (orange) /200
Ceremony - Scared People 7"
I got this from the Bridge Nine booth at the very end of the day on the last day of Warped Tour 2008 in Carson, CA. The paper from the cover and slipsheet for the vinyl are smeared from rain damage, and the record itself is warped out of its straight shape. Alas, it still plays. Although, it makes sense that B9 stopped bringing vinyl to sell at their booth at the Warped Tour after that year.
I could hardly care if this package is all fucked up. It is a Ceremony record after all. And yet, it does happen to be my favorite release by them. It's contains some of the most creative musicianship and lyricism the band has put out, which to be honest really isn't saying much. Something about this one though seems cool to me. It's probably just the fact that I see people talking about it the least out of any of their works though. Who knows.
Portraits of Past - Cypress Dust Witch 12"
I'm am pretty much a n00b when it comes to screamo, but I am a proper fan of a few certain bands in the touchy, often elitist-infested genre. I don't own the discography LP released before this, but when they had randomly re-united in I think 2009? and pre-orders for a 12" EP of new material I was intrigued, only 100 on color and 2000 on black. Because I happened to have enough in my Paypal account at the time of the announcement, I was probably one of the first of the 100 to order this on color.
I'm not too sure if it's even easy to see the color in the photo though. It's a very dark purple.
Specifics:
Portraits of Past - Cypress Dust Witch (purple marble) /100
End of a Year - s/t 7"
This another by Deathwish from Hot Topic record. The End of a Year song on that MMIX Sampler I talked about in my last post was my favorite song on the entire comp. I was at school in the computer lab one day when I saw a post somewhere online by Deathwish that said the EOAY s/t 7" was "now available everywhere", and I saw that the track from the sampler was on it. I went straight to Hot Topic after school, assuming it would be there since it was a Deathwish release. Sure enough, it was. Mine!
Specifics:
End of a Year - s/t (white) /1000
Disfear/Doomriders Split 7"
Did you know Hot Topic carries Deathwish and some other decent labels' vinyl? It makes it convenient for me to run along and most likely able to find a new release I'd want if I didn't otherwise order it. This has been the case many times. And this 7" is not left out of that picture.
I had really liked the Doomriders song on the MMIX (I think that's correct) Deathwish/SFU whatever else Sampler/Compilation, it was just like a 30 second parody of some metal song that I can't remember right now. So, when I saw this, I figured I'd take the initiative as recommended on that sampler and check this out. The Disfear song wasn't very memorable in my opinion, but I really really liked the Doomriders song. A really powerful, emotional metal song that was hard as fuck. It would later be re-recorded to be included on their next LP on Deathwish. Guess they liked it as much as I did.
This is on "beer/cream mix" colored vinyl. I took a picture of the "beer" side because it's really cool looking in real life, not so sure about on picture. But the you can see some "cream" on the outside edges of this 7" in the picture.
Specifics:
Disfear/Doomriders (beer/cream mix) /700
Tuesday, September 28, 2010
Last Lights - No Past, No Present, No Future 12"
Picked this up at Sound & Fury '09, I think from the label but it might've been a distro. This is the discography of the once up-and-coming Last Lights, who broke up after the sudden, tragic death of their young genius of a lyricist and vocalist, Dominic Mallory. I believe the story was that he suffered a brain aneurysm late into the night after a performance in which he, as he was known for, completely went off during. Not sure if that's true, but if it is then I'd say that's a pretty fucking legit way to go out.
This band was about to be hooked up beyond anyone's imagination, they were about to become a major dent in the hardcore scene as we know it today. Unfortunately, they never got the chance to spread their seed after it had been planted. At least I have this record to keep the memory living in my life. It was a little bit expensive, as it contains some really cool extras, including a booklet with photographs, journal entries by Dominic Mallory, and a photocopy of the setlist from the last show Dom had a chance to perform with Last Lights, which is said to have killed him.
Specifics:
Last Lights - No Past, No Present, No Future (black/green split) /375
This band was about to be hooked up beyond anyone's imagination, they were about to become a major dent in the hardcore scene as we know it today. Unfortunately, they never got the chance to spread their seed after it had been planted. At least I have this record to keep the memory living in my life. It was a little bit expensive, as it contains some really cool extras, including a booklet with photographs, journal entries by Dominic Mallory, and a photocopy of the setlist from the last show Dom had a chance to perform with Last Lights, which is said to have killed him.
Specifics:
Last Lights - No Past, No Present, No Future (black/green split) /375
ON - Double Vision 12" (Euro Press)
ON updated their webstore to include a reprint of their original pocket print logo shirt on American Apparel, which I had to get. In addition, they also had for sale a few copies of the Euro press of their 12" which combined their first two out of print 7"s, which I already owned multiple copies of each. Due to owning both 7"s already, I didn't feel the need to buy a 12" with a collection of shit I already had, but being as this was from the infamous Euro press, the one that never shipped out its American pre-orders (a story that made me very happy I didn't order them in the first place) I had to own a copy, because I knew how rare of an opportunity it would be to snag it. The artwork features a different color than the American press, and the cover is made unlike any other I own. I'm assuming it has to do with the fact that it was made in Europe? Also can't beat the 45 rpm speed.
Specifics:
ON - Double Vision (white) Powered Records /200
Blink 182 - Untitled 2x12"
Just last week, I received another one of these extremely late-pressed due to high demand Blink 182 records that I had to pre-order the day it went up in order to ensure I got one at all.
I had trouble deciding which color to get. There were 4 different options limted to 500 a piece. There was 180 gram black vinyl, pink/white swirl, green/pink half & half, but I went with green/pink swirl.
It's obvious how much work went into making sure this release was as legit as possible. The colors of the record are positively true to the paint colors in the album art. Also, the b-side of the 2nd LP (pictured on the right in the last pic) contains a really cool laser etching of the now classic Smiley logo. It's probably the best use of laser etching on vinyl I've seen utilized.
Specifics:
Blink-182 - Untitled 2xLP (pink/green swirl) /500
I had trouble deciding which color to get. There were 4 different options limted to 500 a piece. There was 180 gram black vinyl, pink/white swirl, green/pink half & half, but I went with green/pink swirl.
It's obvious how much work went into making sure this release was as legit as possible. The colors of the record are positively true to the paint colors in the album art. Also, the b-side of the 2nd LP (pictured on the right in the last pic) contains a really cool laser etching of the now classic Smiley logo. It's probably the best use of laser etching on vinyl I've seen utilized.
Specifics:
Blink-182 - Untitled 2xLP (pink/green swirl) /500
Sabertooth Zombie - Dance/The Prisoner 10"
Got this awesome wax in a binge buy @ RevHQ when they once had a large sale going on. I was a fan of Sabertooth Zombie, already an owner of one or two of their records, when I noticed that the site had many Sabertooth Zombie records I did not own already, as well as a few other Twelve Gauge Records releases I was interested in, or simply felt like buying because it happened to be priced so low.
Like most of STZ's other vinyl releases, this is a single simple color, specifically plain old transparent, and contains no center label stickers. Very odd, and pretty confusing, especially without clearly identifiable matrix markings to let you know which side you're listening to, a crucial factor as this 10" is actually 2 different EPs, one on each side.
Specifics:
Sabertooth Zombie - Dance / The Prisoner (clear) 400/666
Like most of STZ's other vinyl releases, this is a single simple color, specifically plain old transparent, and contains no center label stickers. Very odd, and pretty confusing, especially without clearly identifiable matrix markings to let you know which side you're listening to, a crucial factor as this 10" is actually 2 different EPs, one on each side.
Specifics:
Sabertooth Zombie - Dance / The Prisoner (clear) 400/666
Bitter End - Mind In Chains 7"
Bought this when I saw them with Have Heart at HH's last California show ever at Chain Reaction on August 28, 2009. I didn't know this had been re-issued at the time, so I was stoked to see this at the merch table able be able to buy a fresh copy.
Specifics:
Bitter End - Mind in Chains (orange) /500
Specifics:
Bitter End - Mind in Chains (orange) /500
Thee Makeout Party! - Play Pretend 12"
*I wanted to start this post off by explaining, as of right now I am going to be making posts about each of my records at random. It may be whichever picture catches my eye, or which one I may be listening to or digging a lot at the moment. I don't know. Eventually, once I've caught up and and blogged about every single thing I have, if that happens, I will continue to blog in the order I receive whatever new records I may end up adding to my collection.
This record was included for free in the package of the first record I ever pre-ordered online. This is Thee Makeout Party! a band I had seen a few times with Audacity, a local garage punk band. In fact, it was an Audacity record I was ordering, which happened to be from Burger Records. The owner of the Burger Records (Sean something) plays guitar/does some vocals in the band. He's the 2nd guy from the right on the record's cover. He must've assumed I didn't have this on vinyl but that I'd wanted it, which was exactly the case! He's one of the nicest dudes running a label today. (Before receiving this, I'd actually landed the cassette version of the album for free after talking to Sean at some party I saw Thee Makeout Party! and Audacity play together, but that's for a different blog post.) I was honestly more happy to have received it than the record I actually paid for. Thanks Sean!
Specifics:
Thee Makeout Party! - Play Pretend (black) /1000
ONWARD,
This record was included for free in the package of the first record I ever pre-ordered online. This is Thee Makeout Party! a band I had seen a few times with Audacity, a local garage punk band. In fact, it was an Audacity record I was ordering, which happened to be from Burger Records. The owner of the Burger Records (Sean something) plays guitar/does some vocals in the band. He's the 2nd guy from the right on the record's cover. He must've assumed I didn't have this on vinyl but that I'd wanted it, which was exactly the case! He's one of the nicest dudes running a label today. (Before receiving this, I'd actually landed the cassette version of the album for free after talking to Sean at some party I saw Thee Makeout Party! and Audacity play together, but that's for a different blog post.) I was honestly more happy to have received it than the record I actually paid for. Thanks Sean!
Specifics:
Thee Makeout Party! - Play Pretend (black) /1000
Downpresser - (current) Complete Collection
The first picture I took of my records. Before I had a large amount, I simply figured it would be overkill if I immediately started wasting time documenting them in photography, one by one as started my entire collection started from scratch. I actually had spent a pretty decent amount of time building this complete Downpresser collection, that is, every variation of every record/cassette tape that the band sort of from the area I live in (Southern California) that I get to see play shows extremely often. Everything they've put out has been flawless, so to me it makes sense to have a flawless collection of it.
As of right now, at least to my knowledge, this is everything they have out. I hear they are currently writing for a LP to come out on a big name label. Whatever it may be, it will end up on here.
Specifics:
Downpresser - Perverted Justice - Test Press (/10)
Downpresser - Perverted Justice - Clear (/500)
V/A - California Uber Alles Cassette Comp. - Yellow (/?)
Creatures/Downpresser - Split - Test Press (3/20)
Creatures/Downpresser - Split - Creatures Record Release Cover (15/25)
Creatures/Downpresser - Split - Downpresser Record Release Cover (5/25)
Creatures/Downpresser - Split - Winter Tour 2009 Cassette (24/50)
Creatures/Downpresser - Split - Clear (/103)
Creatures/Downpresser - Split - Black (/400)
Downpresser - Age of Ignorance - Test Press (7/15)
Downpresser - Age of Ignorance - Clear Purple (/100)
Downpresser - Age of Ignorance - Sound & Fury 2010 cover (/100)
Downpresser - Age of Ignorance - Clear Green (/300)
Downpresser - Age of Ignorance - Clear Red (/600)
First post. (Introduction)
So I've been buying and listening to (otherwise stated as collecting) records of bands I like since high school. As the age of iTunes started settling among society, I found myself not wanting to give up buying CDs that I once upon a time cherished. I loved looking at the artwork and booklet that was included with CDs. I also had a appreciation for the tactility. When you purchased it, it actually felt like you bought SOMETHING. My biggest gripe with paying for music digitally was the fact that it came with no tactile artwork that you could look at while listening to such music. Instead, music became a product of invisibility. You could pay to download one band's entire discography on iTunes, but not only does that just sound retarded, you're sure to feel retarded when the day comes that you end up deleting these Mp3's that you paid for from your hard drive for whatever reason, accidentally or not. You have nothing to show for it.
As I started going to more "underground" shows and listening to genres with less than polished attitudes, sounds, and styles, I recognized that many of them were releasing vinyl records. Some of my friends had record players and minimal record collections growing up, but I never even considered buying records as growing up in the 90's, I laughed at the idea of such big annoying discs that you couldn't even rewind or pause. Being a bit older and knowledgeable, I kinda understood that records encouraged listeners to listen to a musical piece as one; a collection of songs, an anthology, that should be heard together and in full. Not in separately sorted Mp3 tracks. How weird is it if you are listening to a large collection of music on shuffle and the next track that comes on is a 1 and a half minute interlude track? I don't wanna hear that shit. However, if a band has created such a track, it must serve some form of artistic purpose, and that meaning may only make sense if heard in the order of tracks that it was designed to run in. A continuous play, which is the only method a vinyl record can be heard, is necessary. Listening to music on vinyl does gives you this snobby sense. It is something lots of people brag of.
On the other side of the spectrum, it is also true that a shuffled playlist can be nice. It can, I agree. I love listening to all of one of my favorite bands songs on shuffle. It helps me emulate a sort of fake live re-enactment in my mind which can get me stoked if I am perhaps going to see them play in the near future. It's like a possible setlist.
So anyways, I started feeling stupid for still buying CDs when I could just be downloading them, because by then I would just rip it to my computer and to my iPod and then stack the case somewhere, never really looking at it again if I could help it. This record thing these bands were doing interested me. I originally picked up the habit of owning these flat pieces of wax, specifically, on 4/20 of 2008, my Junior year of high school. (More on that story later)
Fast forward to now,
I had been meaning to take a picture of my recently completed Downpresser Record/Tape Collection for about a month. After I finally got around to it, I began taking individual pictures of each of my Downpresser pieces, and then of all my other records, and them uploading them to my tradelist on Dead Format. I don't have as much as most collectors I don't think, but I have a pretty sizable amount. I still haven't finished capturing them all yet. But I'm really bored with simply taking their pictures for documentation. I see guys like Marcus Andrews (http://endlessquestrecords.blogspot.com/) writing, in the style of news articles, or I guess blogging (did I mention I've never really been fond of the idea of keeping a constantly updated blog? I've tried starting one here and there but they usually don't last past the first post. I'm trying to give this one meaning, so hopefully it doesn't end up like the others) about his collection of records. And in addition to writing about his collection, he backs the writing up with snapshots of the records, giving an ultimate visual to the story of the record and how it came to be where it is at the time of the blog post. I've been getting photo documentation of each of my records INDIVIDUALLY for my trade list on Dead Format, but offering no real comments on how I ended up with them, or perhaps my feelings about them. This blog is here to serve that purpose. I'm not using it to brag about my cr00sh coppings. If anything, it will simply give me something nice to look back on. It's also a good way, in my opinion, to spend my free time. I'm currently taking a College English course, and it's helped me realize that I find writing highly enjoyable, and the extra practice can only help my abilities I'd say.
Sorry if this post was boring. It's just words with no pictures. My others should be more exciting.
As I started going to more "underground" shows and listening to genres with less than polished attitudes, sounds, and styles, I recognized that many of them were releasing vinyl records. Some of my friends had record players and minimal record collections growing up, but I never even considered buying records as growing up in the 90's, I laughed at the idea of such big annoying discs that you couldn't even rewind or pause. Being a bit older and knowledgeable, I kinda understood that records encouraged listeners to listen to a musical piece as one; a collection of songs, an anthology, that should be heard together and in full. Not in separately sorted Mp3 tracks. How weird is it if you are listening to a large collection of music on shuffle and the next track that comes on is a 1 and a half minute interlude track? I don't wanna hear that shit. However, if a band has created such a track, it must serve some form of artistic purpose, and that meaning may only make sense if heard in the order of tracks that it was designed to run in. A continuous play, which is the only method a vinyl record can be heard, is necessary. Listening to music on vinyl does gives you this snobby sense. It is something lots of people brag of.
On the other side of the spectrum, it is also true that a shuffled playlist can be nice. It can, I agree. I love listening to all of one of my favorite bands songs on shuffle. It helps me emulate a sort of fake live re-enactment in my mind which can get me stoked if I am perhaps going to see them play in the near future. It's like a possible setlist.
So anyways, I started feeling stupid for still buying CDs when I could just be downloading them, because by then I would just rip it to my computer and to my iPod and then stack the case somewhere, never really looking at it again if I could help it. This record thing these bands were doing interested me. I originally picked up the habit of owning these flat pieces of wax, specifically, on 4/20 of 2008, my Junior year of high school. (More on that story later)
Fast forward to now,
I had been meaning to take a picture of my recently completed Downpresser Record/Tape Collection for about a month. After I finally got around to it, I began taking individual pictures of each of my Downpresser pieces, and then of all my other records, and them uploading them to my tradelist on Dead Format. I don't have as much as most collectors I don't think, but I have a pretty sizable amount. I still haven't finished capturing them all yet. But I'm really bored with simply taking their pictures for documentation. I see guys like Marcus Andrews (http://endlessquestrecords.blogspot.com/) writing, in the style of news articles, or I guess blogging (did I mention I've never really been fond of the idea of keeping a constantly updated blog? I've tried starting one here and there but they usually don't last past the first post. I'm trying to give this one meaning, so hopefully it doesn't end up like the others) about his collection of records. And in addition to writing about his collection, he backs the writing up with snapshots of the records, giving an ultimate visual to the story of the record and how it came to be where it is at the time of the blog post. I've been getting photo documentation of each of my records INDIVIDUALLY for my trade list on Dead Format, but offering no real comments on how I ended up with them, or perhaps my feelings about them. This blog is here to serve that purpose. I'm not using it to brag about my cr00sh coppings. If anything, it will simply give me something nice to look back on. It's also a good way, in my opinion, to spend my free time. I'm currently taking a College English course, and it's helped me realize that I find writing highly enjoyable, and the extra practice can only help my abilities I'd say.
Sorry if this post was boring. It's just words with no pictures. My others should be more exciting.
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